|  | Birmingham Royal Ballet Theatre Royal, Plymouth Tues 2nd Nov - Sat 6th Nov 7.30pm & 2.30pm Tickets: £5 - £30 Box Office 01752 267222
Western Symphony
Balanchines Western Symphony opens the night with the dancers strutting along to great musical arrangements of Broadway and bar room hits like "Good Night Ladies" and "Oh dem Golden Slippers".
 | | Western Symphony | No plot to follow, no high brow interpretations, just a bit of lively fun.....like youre at a barn-dance.
As the curtain falls the cast and orchestra are still in full swing leaving you wanting more. A bit of a fun opener.The Two Pigeons In sharp contrast to Western Symphony, Ashtons more traditional ballet has a very defined narrative, but its so easy to follow that its kids-play. Sweet and romantic, its also very funny! With her many birdlike moves, Ambro Vallo as the flighty young girl, plays it coy and charming - showing how bored she gets sitting still. She tries to charm her young lover, Chi Cao, but he is also restless and falls under the spell of a beguiling gypsy temptress. The gypsy camp is a riot of colour and although the innocent young girl tries to compete with her sexy rival she just doesnt have the right moves.
 | | Two Pigeons - not at all unfathomable |
Her shoulder shimmies and hip-wiggling, although funny for the audience, dont have the sexually charged allure of the vampish gypsy girl.
Guess which the young man prefers? The ending however is predictable with him returning to his innocent first love...accompanied by well trained white pigeon sitting on his shoulder while he dances.
As the two lovers are reunited in their final beautiful duet, so are the pigeons...so utterly kitsch! (or romantic depending on how cynical you are). If you think ballet is elitist and unfathomable this programme would prove how wrong you are. I think its a bit like Kylie - rather short, perfectly formed and very entertaining.
* BRB return in March 2005 with Kenneth MacMillan’s full length dramatic masterpiece Romeo and Juliet along with a triple bill of Twyla Tharp’s Upper Room; Balanchine’s Prodigal Son and Oliver Hindle’s new work based on Vivaldi’s Four Seasons.

|