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  <title type="text">Kermode Uncut Feed</title>
  <subtitle type="text">Outspoken, opinionated and never lost for words, Mark is the UK's leading film critic.  This twice-weekly video blog is the place where he airs his personal views on the things that most fire him up about cinema - and invites you to give your own opinions.</subtitle>
  <updated>2014-05-30T10:36:56+00:00</updated>
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  <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode"/>
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Shake Down]]></title>
    <summary type="html"><![CDATA[Mark Kermode on the cinema innovation of D-Box shaking seats.]]></summary>
    <published>2014-05-30T10:36:56+00:00</published>
    <updated>2014-05-30T10:36:56+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/528e604d-5e65-37e1-88be-d642b4ddddc6"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/528e604d-5e65-37e1-88be-d642b4ddddc6</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;One of the newest cinema innovations is D-Box - a device that causes your seat to move at certain moments during the movie. This is just one in a long line of gimmicks designed to ‘enhance' your viewing pleasure...&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Fifty Years Of Film]]></title>
    <summary type="html"><![CDATA[I turned fifty this year and next Saturday there's a documentary on 5 live charting the way the cinema has changed during my lifetime. What are your first memories of the silver screen?]]></summary>
    <published>2013-07-19T14:23:40+00:00</published>
    <updated>2013-07-19T14:23:40+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/03a7f210-454b-38cc-a8a0-e3d125ee6bce"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/03a7f210-454b-38cc-a8a0-e3d125ee6bce</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;I turned fifty this year and next Saturday there's a documentary on 5 live charting the way the cinema has changed during my lifetime. What are your first memories of the silver screen?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related content&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/programmes/p015frvg"&gt;Old School&lt;/a&gt;&lt;/p&gt;
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    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Film Club - Twin Peaks: Fire Walk With Me]]></title>
    <summary type="html"><![CDATA[The second Kermode Uncut Film Club choice is David Lynch's magnificent 1992 horror movie. Watch this introduction and let me know what you think of the film. 

        

 Related Posts on Kermode Uncut Film Club

  Mark's reviews on 5 live
 Take your pick from Kermode & Mayo's A-Z 
 Hear Mark Kermode review the week's new films every Friday from 2pm on BBC Radio 5 live. Kermode & Mayo's Film Review is also available as a free podcast to download and keep.]]></summary>
    <published>2012-07-10T12:37:17+00:00</published>
    <updated>2012-07-10T12:37:17+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/19aa20ec-fd9f-30e3-98e6-6c6bb8a6a07d"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/19aa20ec-fd9f-30e3-98e6-6c6bb8a6a07d</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;The second Kermode Uncut Film Club choice is David Lynch's magnificent 1992 horror movie. Watch this introduction and let me know what you think of the film.&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2012/06/film_club_1.html"&gt;Film Club&lt;/a&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/5live/films/a-z/a/"&gt;Take your pick from Kermode &amp; Mayo's A-Z&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Iron Sky Is Here!]]></title>
    <summary type="html"><![CDATA[I've been following the progress of the Nazis on the moon movie Iron Sky for years. It has finally arrived in UK cinemas - or has it?

 

        

 Related Posts on Kermode Uncut Iron Sky

  Mark's reviews on 5 live
 Mark Kermode reviews Iron Sky 
 Hear Mark Kermode review the week's new films ...]]></summary>
    <published>2012-05-25T09:43:41+00:00</published>
    <updated>2012-05-25T09:43:41+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/a6f37586-b8a7-33d7-acf0-cead163e6edd"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/a6f37586-b8a7-33d7-acf0-cead163e6edd</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;I've been following the progress of the Nazis on the moon movie Iron Sky for years. It has finally arrived in UK cinemas - or has it?

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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2012/03/kermode_uncut_iron_sky.html"&gt;Iron Sky&lt;/a&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/programmes/p00stck9"&gt;Mark Kermode reviews Iron Sky&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[The Great Trailer Debate]]></title>
    <summary type="html"><![CDATA[I posted recently saying how much I hated long excerpts from films being used in marketing campaigns. This seems to have touched a nerve - here are some of your responses.

 

        

 Related Posts on Kermode Uncut The Film the whole Film and Nothing but the Film

  Mark's reviews on 5 live
 Take your pick from Kermode & Mayo's A-Z 
 Hear Mark Kermode review the week's new films every Friday from 2pm on BBC Radio 5 live. Kermode & Mayo's Film Review is also available as a free podcast to download and keep.]]></summary>
    <published>2012-05-18T11:27:44+00:00</published>
    <updated>2012-05-18T11:27:44+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/07124a89-1b4c-3404-99aa-9d774727a34a"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/07124a89-1b4c-3404-99aa-9d774727a34a</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;I posted recently saying how much I hated long excerpts from films being used in marketing campaigns. This seems to have touched a nerve - here are some of your responses.

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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2012/05/the_film_the_whole_film_and_no.html"&gt;The Film the whole Film and Nothing but the Film&lt;/a&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/5live/films/a-z/a/"&gt;Take your pick from Kermode &amp; Mayo's A-Z&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Then and Now]]></title>
    <summary type="html"><![CDATA[I've been checking out some of the beautiful historic cinemas in Memphis and thinking about a recent news story saying ticket prices are set to rise to subsidise the costs of 3D. You can imagine my reaction... 

        

 Related Posts on Kermode Uncut The Death of 3D

  Mark's reviews on 5 live
 Scorcese: Why can't we accept 3D? 
 Hear Mark Kermode review the week's new films every Friday from 2pm on BBC Radio 5 live. Kermode & Mayo's Film Review is also available as a free podcast to download and keep.]]></summary>
    <published>2012-03-30T11:23:32+00:00</published>
    <updated>2012-03-30T11:23:32+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/49137e55-c876-397a-8b8d-cbf33d782ac2"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/49137e55-c876-397a-8b8d-cbf33d782ac2</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;I've been checking out some of the beautiful historic cinemas in Memphis and thinking about a recent news story saying ticket prices are set to rise to subsidise the costs of 3D. You can imagine my reaction...&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2010/09/the_death_of_3d.html"&gt;The Death of 3D&lt;/a&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/programmes/p00m8qwq"&gt;Scorcese: Why can't we accept 3D?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[The Tracks of Your Tears]]></title>
    <summary type="html"><![CDATA[When I asked you to tell me about the films that make you cry and why I never expected such a huge response. Here I pick out some of the most eye-watering examples... 

        

 Related Posts on Kermode Uncut Review: W.E.
 The Worst Ten Films of 2011 

  Mark's reviews on 5 live
 Take your pic...]]></summary>
    <published>2012-01-20T17:00:33+00:00</published>
    <updated>2012-01-20T17:00:33+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/8d9500b0-ad1e-3173-9f71-2ab74f00ba1e"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/8d9500b0-ad1e-3173-9f71-2ab74f00ba1e</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;When I asked you to tell me about the films that make you cry and why I never expected such a huge response. Here I pick out some of the most eye-watering examples...&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2012/01/great_performance_shame_about.html"&gt;Review: W.E.&lt;/a&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/12/the_worst_ten_films_of_2011.html"&gt;The Worst Ten Films of 2011&lt;/a&gt; 

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/5live/films/a-z/a/"&gt;Take your pick from Mark's A-Z&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[The Film That Changed My Life]]></title>
    <summary type="html"><![CDATA[Blogging about Mark Cousins' documentary The First Movie made me think about the experience that made me fall in love with cinema. In my case it was Krakatoa East Of Java - but what was the film you remember seeing that changed everything. 

        
 Related Posts on Kermode Uncut The First Mov...]]></summary>
    <published>2011-12-16T10:13:20+00:00</published>
    <updated>2011-12-16T10:13:20+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/e7c74aa2-8265-373e-aaad-ccda7eca6b72"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/e7c74aa2-8265-373e-aaad-ccda7eca6b72</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/12/the_first_movie.html"&gt;Blogging about Mark Cousins' documentary The First Movie&lt;/a&gt; made me think about the experience that made me fall in love with cinema. In my case it was &lt;a href="http://www.imdb.com/title/tt0064555/"&gt;Krakatoa East Of Java&lt;/a&gt; - but what was the film you remember seeing that changed everything.&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/12/the_first_movie.html"&gt;The First Movie&lt;/a&gt; - an appreciation of Mark Cousins' doc
&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;
&lt;br&gt;&lt;a href="http://www.bbc.co.uk/5live/films/a-z/a/"&gt;Take your pick from Mark's A-Z&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Projecting The Future]]></title>
    <summary type="html"><![CDATA[I'm very preoccupied lately by the fate of projectionists in the digital age and what that means for modern cinema. Here I recount some recent frustrating experiences with the new technology of film.

        

 Related links on Kermode Uncut and 5 live The Good, The Bad and The Multiplex 

 Ker...]]></summary>
    <published>2011-09-09T11:25:54+00:00</published>
    <updated>2011-09-09T11:25:54+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/dece09d3-9938-3676-83d9-4fb3e05de9b6"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/dece09d3-9938-3676-83d9-4fb3e05de9b6</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    I'm very preoccupied lately by the fate of projectionists in the digital age and what that means for modern cinema. Here I recount some recent frustrating experiences with the new technology of film.
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    &lt;p&gt;&lt;strong&gt;Related links on Kermode Uncut and 5 live&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/09/the_good_the_bad_and_the_multi.html"&gt;The Good, The Bad and The Multiplex&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.bbc.co.uk/programmes/p00k9w4z"&gt;Kermode on multiplex cinemas&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;

    </content>
  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Twisting My Words]]></title>
    <summary type="html"><![CDATA[There was a story in The Irish Times recently about a DVD cover that misused a review by me to sell a film as hilarious when I had actually found it pretty unfunny. 
It's happened to lots of critics and here I give you a few other examples of cheeky selective quotation. 

      Hear Mark Kermode review the week's new films every Friday from 2pm on BBC Radio 5 live. Kermode & Mayo's Film Review is also available as a free podcast to download and keep.]]></summary>
    <published>2011-07-22T18:00:00+00:00</published>
    <updated>2011-07-22T18:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/4799b4b7-14f4-388a-b089-244255392562"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/4799b4b7-14f4-388a-b089-244255392562</id>
    <author>
      <name>Mark Kermode</name>
    </author>
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    &lt;p&gt;There was a &lt;a href="http://www.irishtimes.com/newspaper/theticket/2011/0722/1224301092206.html"&gt;story in The Irish Times&lt;/a&gt; recently about a DVD cover that misused a review by me to sell a film as hilarious when I had actually found it pretty unfunny.&lt;br&gt;
It's happened to lots of critics and here I give you a few other examples of cheeky selective quotation.&lt;/p&gt;
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    &lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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    </content>
  </entry>
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    <title type="html"><![CDATA[In the Realm of James Ferman]]></title>
    <summary type="html"><![CDATA[An Oshima retrospective at the BFI recalls a revealing story about the true nature of film censorship in the UK, in this instance concerning the Japanese master's most famous and notorious masterpiece, Ai No Corrida AKA In the Realm of the Senses.]]></summary>
    <published>2009-08-21T11:00:00+00:00</published>
    <updated>2009-08-21T11:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/040879fa-569c-3895-b780-b41f23ca101b"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/040879fa-569c-3895-b780-b41f23ca101b</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    An Oshima retrospective at the BFI recalls a revealing story about the true nature of film censorship in the UK, in this instance concerning the Japanese master's most famous and notorious masterpiece, Ai No Corrida AKA In the Realm of the Senses.&lt;br&gt;&lt;br&gt;
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    <title type="html"><![CDATA[The Pirate of Cropredy]]></title>
    <summary type="html"><![CDATA[So here I am at the delightful Cropredy Festival having a wonderful relaxed time among a crowd of happy, easy-going people when my eye catches something that reminds me of some very bad news. Pirate news. Pirates of the Caribbean news. Pirate of the Caribbean news with a bitter and ruthless twist.]]></summary>
    <published>2009-08-18T15:00:00+00:00</published>
    <updated>2009-08-18T15:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/72736261-156f-3cf7-8cad-120d9ef16e07"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/72736261-156f-3cf7-8cad-120d9ef16e07</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    So here I am at the delightful Cropredy Festival having a wonderful relaxed time among a crowd of happy, easy-going people when my eye catches something that reminds me of some very bad news. Pirate news. Pirates of the Caribbean news. Pirate of the Caribbean news with a bitter and ruthless twist.&lt;br&gt;&lt;br&gt;
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    <title type="html"><![CDATA[The Boorman/Tarantino Nexus]]></title>
    <summary type="html"><![CDATA[Left to its own devices the Kermode Uncut blog recombined the Boorman and Tarantino items to generate an explosion of energetic, elevated and enterprising discussion to which I am here delighted to alert you.]]></summary>
    <published>2009-08-14T13:00:00+00:00</published>
    <updated>2009-08-14T13:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/d2b2f72a-1fb7-33f1-955c-a9a1c74fb5f8"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/d2b2f72a-1fb7-33f1-955c-a9a1c74fb5f8</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    Left to its own devices the Kermode Uncut blog recombined the Boorman and Tarantino items to generate an explosion of energetic, elevated and enterprising discussion to which I am here delighted to alert you.&lt;br&gt;&lt;br&gt;
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    <title type="html"><![CDATA[The Tarantino Situation]]></title>
    <summary type="html"><![CDATA[Everyone knows his name, everyone knows he's the ultimate fanboy turned auteur. So why has this Inglourious Basterd never again scaled the creative heights of his early oeuvre? Why has everything he's made since looked, well, rather shoddy by comparison?]]></summary>
    <published>2009-08-10T17:00:00+00:00</published>
    <updated>2009-08-10T17:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/a8d04149-bb57-3ad9-ba5e-9ff207b18fce"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/a8d04149-bb57-3ad9-ba5e-9ff207b18fce</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    Everyone knows his name, everyone knows he's the ultimate fanboy turned auteur. So why has this Inglourious Basterd never again scaled the creative heights of his early oeuvre? Why has everything he's made since looked, well, rather shoddy by comparison?&lt;br&gt;&lt;br&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[John Boorman: an exorcism]]></title>
    <summary type="html"><![CDATA[Perusing your comments I came across a request to explain my antipathy toward John Boorman, the director behind such brilliant movies as Hell in the Pacific, Point Blank and Deliverance. Yeah. And Exorcist II: The Heretic, the Worst-Film-Ever-Made. Starting to make sense? Anyway, it occurred to me that Kermode Uncut is as good a place as any to get this thing out of my system.]]></summary>
    <published>2009-08-04T10:00:00+00:00</published>
    <updated>2009-08-04T10:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/27c9e216-9ffc-30cb-9d93-89cf6842057c"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/27c9e216-9ffc-30cb-9d93-89cf6842057c</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    Perusing your comments I came across a request to explain my antipathy toward John Boorman, the director behind such brilliant movies as Hell in the Pacific, Point Blank and Deliverance. Yeah. And Exorcist II: The Heretic, the Worst-Film-Ever-Made. Starting to make sense? Anyway, it occurred to me that Kermode Uncut is as good a place as any to get this thing out of my system.&lt;br&gt;&lt;br&gt;
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